FY24 Graduation Research

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Pastel painting techniques

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"If we can meet again someday"
Pastel, watercolor, cement on panel, H162×W261cm

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About the representation of figures in paintings

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"good and evil"
Oil painting H227×W363cm

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Uses of reproduction: the specimen and sculpture aspects of stuffed animals

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"Mothers/With Mothers"
Oil painting, H126×W194cm each

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Norman Rockwell's Subjects and Painting Methods

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"Deadline/Big Motivation"
Oil painting, H162×W130cm each

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Research on the people who create beautiful women

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"Muse"
Oil painting H194×W324cm

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The history of the writer's profession and its rivalries
-Regular observations from Shuyukan in Fukuoka of the birth of Western painting and the anti-avant-garde period of painting-

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"Artworks are creations / Paintings are lacquerware"
364D H80×W100×D364cm/H80×W60×DXNUMXcm

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Considerations on the effects of drawing plants

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"Don't say anything."
Oil painting H227×W363cm

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Lapis Lazuli: Its Properties and Diverse Uses

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"Recollection/Rebirth"
Oil painting, H162×W130cm each

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Woman as a subject in Marie Laurencin's work

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"Shell and Flesh/Shell and Shell"
Flat surface, each H130 x W163cm

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Painting Expressions Learned from the Life and Works of JMW Turner

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"Movement/Saku"
Oil painting, H162×W130cm each

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The appeal of landscape painting

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"Surrounded by autumn colors"
Oil painting W194×H324cm

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Themes and Techniques of the Painter Georges Rouault

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"Distant Landscape/Sunlit"
Oil painting, W162×W130cm each

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Emptiness and beauty

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"Sky and Flowers / Flowers and Sky"
Oil painting, H163×W130cm each

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A study of Toku Satake's life and artistic career

□ Works
"PINK FLOOR"
Oil painting H227×W364cm