Nozomi Iwasaki

2019 Graduation Research

Introduction of Graduation Research by 2019 Graduates

 

 

 

 

 

 

 

 

 

 

Nozomi Iwasaki

□ Paper title
Stylization of exaggeration in two-dimensional depictions of female figures
-Focusing on eye enlargement and symbolization-

□ Works
"It's better in the fog."
Oil painting, H291 x W112cm, 2 pieces each

Nozomi IwasakiNozomi Iwasaki

 

 

 

 

 

Miki Ohshima

□ Paper title
On the expression of the grotesque in Western painting

□ Works
"Double-edged/Sensory Deprivation"
Oil painting H130×W162cm / H130×W162cm

Miki Ohshima  Miki Ohshima
Kotono Ohta

□ Paper title
A worldview created by varying the size of the motif in painting

□ Works
"Episodic memory"
Oil painting H227×W364cm

Kotono Ota
Kurumi Kaneoka

□ Paper title
The expressive effect of lines in painting

□ Works
"6mg"
Acrylic H274×W182cm 3 pieces

Kurumi KanaokaKurumi KanaokaKurumi Kanaoka
Mimori Kubo

□ Paper title
Reproduction and construction of a worldview
Changes in the creative process and works in the information society

□ Works
"Nostalgia"
Flat H162×W388cm

Mimori Kubo
Rikako Hisada

□ Paper title
Representation of pictorial space through perspective

□ Works
"Memory"
Flat H162×W324cm

Rikako Hisada
Tomoka Horaguchi

□ Paper title
Representations of warriors in Japanese painting

□ Works
"Single Combat"
Oil painting H162×W324cm

Chika Horaguchi
Emi Mizoguchi

□ Paper title
Synesthetic pictorial expression
-Considerations on paintings that share the senses of the viewer and the artist-

□ Works
"origin"
Flat H162×W324.8cm

Emi Mizoguchi
Akane Miyazaki

□ Paper title
Decorative expression using lines in painting

□ Works
"Rumbling, rumbling, spinning"
Oil painting H130×W162cm 2 pieces

Akane MiyazakiAkane Miyazaki
Yuka Yoshida

□ Paper title
The reasons and effects of using women as a motif in painting

□ Works
"Start walking"
Oil painting H260×W162cm

Arika Yoshida