Introduction of Graduation Research by 2019 Graduates
|
Nozomi Iwasaki
□ Paper title
Stylization of exaggeration in two-dimensional depictions of female figures
-Focusing on eye enlargement and symbolization-
□ Works
"It's better in the fog."
Oil painting, H291 x W112cm, 2 pieces each |
|

|
|
|
|
|
|
|
|
|
|
|
Miki Ohshima
□ Paper title
On the expression of the grotesque in Western painting
□ Works
"Double-edged/Sensory Deprivation"
Oil painting H130×W162cm / H130×W162cm |
|
 |
|
|
|
|
|
|
|
|
|
| Kotono Ohta
□ Paper title
A worldview created by varying the size of the motif in painting
□ Works
"Episodic memory"
Oil painting H227×W364cm |
|
 |
|
|
|
|
|
|
|
|
|
| Kurumi Kaneoka
□ Paper title
The expressive effect of lines in painting
□ Works
"6mg"
Acrylic H274×W182cm 3 pieces |
|
   |
|
|
|
|
|
|
|
|
|
| Mimori Kubo
□ Paper title
Reproduction and construction of a worldview
Changes in the creative process and works in the information society
□ Works
"Nostalgia"
Flat H162×W388cm |
|
 |
|
|
|
|
|
|
|
|
|
| Rikako Hisada
□ Paper title
Representation of pictorial space through perspective
□ Works
"Memory"
Flat H162×W324cm |
|
 |
|
|
|
|
|
|
|
|
|
| Tomoka Horaguchi
□ Paper title
Representations of warriors in Japanese painting
□ Works
"Single Combat"
Oil painting H162×W324cm |
|
 |
|
|
|
|
|
|
|
|
|
| Emi Mizoguchi
□ Paper title
Synesthetic pictorial expression
-Considerations on paintings that share the senses of the viewer and the artist-
□ Works
"origin"
Flat H162×W324.8cm |
|
 |
|
|
|
|
|
|
|
|
|
| Akane Miyazaki
□ Paper title
Decorative expression using lines in painting
□ Works
"Rumbling, rumbling, spinning"
Oil painting H130×W162cm 2 pieces |
|
  |
|
|
|
|
|
|
|
|
|
| Yuka Yoshida
□ Paper title
The reasons and effects of using women as a motif in painting
□ Works
"Start walking"
Oil painting H260×W162cm |
|
 |