Moth
Please see below for the titles and authors of past papers.
No. 18 (April 2025)
Kika Kasahara, "Development of theories of brushwork and prerequisites regarding the character dimension: from the Song to the Ming dynasty," pp.1-14
Haruna Uchino, "A Study on the Bell Inscriptions by Seisetsu Masatoshi," pp.15-28
Kanako Shigeno, "Calligraphy of Chinese poet Chikuu Tsuchiya: Focusing on the development of his calligraphy style," pp.29-42
Tomoaki Kanno, "The Intersection of Learning and Calligraphy as Seen in Qian Xuantong's 'Copy of Sutras'" pp.43-58
Lin Chongwei, "One aspect of Han Deng'an's acceptance of ancient seals: from the production of works in the style of ancient seals," pp.59-71
No. 17 (April 2024)
Zhao Soya, "On Wang Shizhen's Criticism of Zhao Mengfu's Calligraphy," pp.1-10
Takahashi Anna, "Reading the Changes in Calligraphy Style from Ni Yuanlu's Seals," pp.11-24
Tao Huayuan, "A Study on the Adoption of Wang Xizhi's Calligraphy in Ichikawa Beian," pp.25-36
Huang Xu Rou, "On Mo Youzhi's View of Han Seal Script," pp.37-50
Hua Hua, "A Study on the Breakthrough of Seals in Yu Yuan's Clerical Script Works: Concerning the Cursive Script of Seals," pp. 51-64
Saya Takaku, "Characteristics of Seal Script Expression in the Creative Works of Isao Itate," pp.65-77
Tomoaki Kanno, "Issues surrounding Qian Xuantong's 'copy of sutras' and two letters," pp.78-86
Kim, Gwi-poon, "Translation of Kim Sang-yeop's 'Research on Korean Modern Art History and the Chronology of Korean Modern Art History,'" pp.87-98
No. 16 (April 2023)
Satoshi Hasegawa, "Appraisal of Ashikaga Takauji's Handwriting," pp.1-13
Ogata, Madoka, "The development of Wang Duo's calligraphy style as seen from the character diameter and compositional form," pp.14-27
Kusano, Tsuyoshi, "Changes in style and breakthroughs in Zhao Zhichen's red seals," pp.28-41
Huang Xu Rou, "On the Acceptance and Originality of "Songshan Shique" in Mo Youzhi's Seal Script," pp.42-54
Sato, Taichi, "One Aspect of Pan Cun's Acceptance of Rock-Carved Stone Calligraphy: A Comparison with Zhao Zhiqian," pp.55-68
Saya Takaku, "A Study on the Expressions in Idate Isao's Seal Script: Focusing on the Copy of "Sekkobun"," pp.69-80
No. 15 (April 2022)
Kenjiro Haruta, "On the steep horizontal strokes in the regular calligraphy style after the capital was moved to Luoyang," pp.1-12
Kika Kasahara, "Views on Cursive Writing in the Northern Song Dynasty: Focusing on Su Shi and Huang Tingjian," pp.13-24
Kuromatsu, Aika, "On Keifuku's theory of clerical script in "Seirei Sanrei"," pp.25-33
Shen Boyang, "Huang Mufu's Search for Seals Outside the Seals: How to Introduce Stone Carvings," pp.35-48
Taichi Sato, "A Study on the Fluctuations in the Calligraphy of Kang Youwei," pp.49-62
Akiho Ogawa, "Translation of He Yanquan's 'The relationship between the development of calligraphy and the size of calligraphy in the Northern Song Dynasty'," pp.63-76
No. 14 (April 2021)
Momoka Tosaka, "A study on the cosmological transformation of compound Chinese characters with crowns and feet in the Han dynasty," pp.1-14
Tokuhito Obata, "A study on the line structure of Kana calligraphy by Minamoto no Kaneyuki," pp.15-28
Suzuki, Yoshitaka, "On the inclination of lines in scrolls copied from Otaku's works," pp.29-42
Suzuki, Marin, "On the arrangement of characters in Wu Changshuo's three-line seals," pp.43-56
Shen Boyang, "Changes in Huang Mufu's style of engraving and his relationship to historical references, especially during the Guangzhou period," pp.57-70
No. 13 (April 2020)
Momoka Tosaka, "The relationship between single Chinese characters and their partial codification in the Han period: focusing on the Moon section," pp.1-14
Yuka Kadohara, "Considerations on Michikaze Ono's Silk and Ayajikiri" pp.15-28
Nobuhiro Kuji, "The consciousness of free will as seen in Huang Tingjian's calligraphy," pp.29-43
Sakura Ikeda, "A Study on Ryokan and the Printed Version of 'Akihagicho'" pp.45-58
Suzuki, Marin, "On the arrangement of characters in Wu Changshuo's four-character seals," pp.59-71
Akiho Ogawa, "The rise and fall of swallowtail calligraphy: from the perspective of the relationship between character size, writing method, and tools," pp.73-85
Suzuki, Yoshitaka, "On the variation of lines in the scrolls copied from Otaku's works," pp.86-94
No. 12 (April 2019)
Shogo Shiina, "Su Shi's View of Calligraphy: Focusing on 'I'" pp.1-12
Nobuhiro Kuji, "The structure of 'free will' in Chinese calligraphy: Based on Kazuo Aiba's 'Calls of free will and calligraphy of intention'," pp.13-26
Akinari Fujikawa, "A Study on the Characteristics of Konoe Nobutada's Large Character Kana: The Influence of Zhang Ji's Calligraphy" pp.27-40
Bai Jing, "On Guo Fu's Calligraphy: Focusing on the Adoption of Huang Tingjian's Calligraphy Style," pp.41-52
Tomoaki Kanno, "A General History of Chinese Art Incorporated with Calligraphy," pp.53-62
No. 11 (April 2018)
Akihiro Ida, "A new style of calligraphy in the middle of the Later Han period: Focusing on the bamboo slips and tablets from the Wuyi Square in Changsha" pp.1-15
Shogo Shiina, "Ouyang Xiu's View of Calligraphy: Focusing on 'Brush Theory' and 'Test Writing'," pp.16-23
Arai Erika, "A style analysis of the Saigyo-style calligraphy handed down by the Reizei family," pp.24-40
Masaoka, Tomoaki, "The founder of the Seiryo Seal Society's view of Seal studies and its position" pp.41-52
Tomoaki Kanno, "On the Sources of Calligraphy History in Zheng Chang's "History of Chinese Art" and Shi Yan's "History of Oriental Art," pp.53-63
No. 10 (April 2017)
Hayashi, Shiyo, "Calligraphical Features of the "Disciple Question" in the "Zhu Bamboo Book of the Warring States Period, Shanghai Museum Collection," pp.1-14
Akihiro Ida, "On the calligraphy of the Kenmu Chronicle in the Kyoen Shinkan: Aspects of the emergence of a new style of calligraphy as seen in the writing style," pp.15-29
Fumino Sano, "On the cursive calligraphy style of the Heicheng period of the Northern Wei Dynasty," pp.30-44
Shogo Kenmochi, "Aspects of cursive writing in the mid-Tang Dynasty and the mid-Tang Dynasty," pp.45-58
Maeda Kosaku, "The Calligraphy of Kanna Sou-o," pp.59-67
Tomoaki Kanno, "Naito Konan and the Photographic Exhibition of the Dunhuang Documents: Focusing on the Explanation of the Hot Spring Inscriptions and the Display of Reference Materials," pp.68-80
No. 9 (April 2016)
Fumino Sano, "The Calligraphy Style of the Emperor's Southern Tour Stele," pp.1-13
Mizoi, Kurumi, "Calligraphy of the inscription on the halo of the Shaka Triad in the Golden Hall of Horyuji Temple," pp.15-28
Shogo Kenmochi, "The dual nature of calligraphy as seen in Zhang Huaiguan's theory of calligraphy," pp.29-42
Mako Hashiguchi “Otaku Rinshoko” pp.43-57
No. 8 (April 2015)
Shigemi Anjo, "On the style of calligraphy on the inscriptions of Han-period monuments: its classification and evolution," pp.1-12
Kurumi Mizoi, "Changes in the style of characters due to the engraving techniques used on the inscriptions of the Buddha statue in the Golden Hall of Horyuji Temple," pp.13-25
Chiho Yamada, "Verification of the theory that the Honganji edition of the Thirty-six Masterpieces "Munetsuneshu" was written by two authors," pp.27-36
Kusumi Masayuki, "On the inscriptions of Zhao Zhiqian's paintings: focusing on the fans," pp.37-51
Masaoka, Tomoaki. "The Circumstances of the Creation of Ding Ren's Hangjun Yinji and Its View of the Succession of the Zhejiang School" pp.52-64
No. 7 (April 2014)
Taisuke Amano, "Differences in calligraphy of handwritten characters from the Chu period as viewed from the contents of the calligraphy," pp.1-15
Naoki Oka, "Considerations on the changes in Kukai's calligraphy before and after his entry into China" pp.17-30
Hamano, Mayumi, "A Study on the Formation of Konoe Nobutada's 'Sanmyakuin-ryu' School," pp.31-44
Tomoaki Masaoka, "The Seal Collection of the Seven Houses of the Xiling Dynasty in the History of the Compilation of Seal Collections of the Eight Houses of the Xiling Dynasty," pp.45-57
Yuji Yamamoto, "A Study on the Inscriptions of Rosanjin Kitaoji" pp.59-70
Yang Cheol-sun, "On Son Jae-hyung's mixed calligraphy works and 'Kokubun Seal Script'," pp.71-84
No. 6 (April 2013)
Anjo, Shigemi "On the Calligraphy Style of Chinese Mirrors: Their Classification and Development" pp.1-14
Hoshiko Momoko, "A Study on the Author of "Shinso Hisho" - Focusing on Comparison with "Koyagire" Type 15," pp.26-XNUMX
Chen Jianzhi, "One aspect of Zhao Mengfu's cursive script: focusing on the mixed use of chapter and cursive script in running cursive script," pp.27-40
Yoshizawa, Taiga. "On the Characteristics of Chen Jun's Mad Cursive Calligraphy: Focusing on the Cursive Calligraphy Cen Zhan Poetry Scroll in the Shanghai Museum Collection," pp.41-50
Miki Tanokura, "Dong Qichang and Jinshi as seen in the running and cursive writings of the Liang Tongshu," pp.51-63
Nishiyama, Masaru, "The Yunqingguan Texts and Wu Rong's Epigraphy" pp.65-75
Miwako Nakagawa, "Impressions of printing typefaces based on the classics: Focusing on Ouyang Xun's typefaces," pp.1-15
No. 5 (April 2012)
Shigemi Yasuo, "On the calligraphy of seal script in the Han dynasty: Focusing on the evolution of seal script-based annals and dates," pp.1-17
Nakamura, Yumiko, "On a group of calligraphy supposedly written by Fujiwara no Ifusa," pp.18-31
Chen Jianzhi, "On the history of the circulation of the two manuscripts of the Sanqingdianji and the Sanmenji by Zhao Mengfu," pp.32-42
Takei, Shiho, "On the Chronology and Lineage of Chin Hongshou's Clerical Script," pp.43-53
Shiho Takei and Miwako Nakagawa, "International Calligraphy Circle Activity Report," pp.54-59
No. 4 (April 2011)
Hong Zhenwei, "On the unique transcription of the Chu bamboo slips from the Warring States period housed in the Shanghai Museum: focusing on the "Wu Wang Jieyu"," pp.1-9
Yoshizawa, Taiga. "On the characteristics of Chin Jun's small-character running cursive script: with a view to deviation from the Wu school" pp.10-23
Akiho Ogawa, "On the copy of the copy of the "Gyosho-ron" (A Treatise on the Method of Calligraphy and Painting) by Dong Qichang," pp.24-32
Takei, Shiho, "On the Adoption of Tiles and Bricks in Chin Hongshou's Clerical Script," pp.33-41
Namiko Tamura, "The Evolution of Kojima Seisai's Calligraphy Style," pp.42-56
No. 3 (April 2010)
Naoko Omura, "On the Writing Style of "The Manuscript of a Memorial to My Niece"," pp.1-20
Akiho Ogawa, "On the "Lunshusza" written by Dong Qichang, housed at the National Palace Museum, Taipei," pp.21-31
Miki Tanokura, "Changes in the style of Liang Tongshu's calligraphy: focusing on his scrolls of running and cursive calligraphy," pp.33-49
Tomoaki Kanno, “Tao Yunxuan ``Song Yuanyou Secret Pavilion Book, Jin, Tang, and Xiao Kaichuo'', pp. 51-72-70
No. 2 (April 2009)
Du Zhongjia (translated by Takahashi Yuta) "Seal script in the Shuowen and excavated bamboo slips and silk scrolls" pp.1-10
Shohei Shimoda, "On the cursive writing of Huaisu in the Law Books," pp.11-24
Midori Komiyama, "Ono Otsu and the Otsu-ryu: The Otsu-ryu as seen in genealogical documents," pp.25-34
Kamo Nanako, "A Study on Otaku's Calligraphy: Focusing on the Selection of Scrolls for Long Scroll Scroll Works," pp.35-50
Yuta Takahashi, "On the influence of Wang Shu's calligraphy theory on Ong Hokko: A comparison of the two," pp.51-60
Katsunori Mutsube, "Transcription and abridgement of Toyobo's Nanyu Shogamoku," pp.61-73
Shohei Shimoda, "Calligraphic Studies, Volume 75-90, Catalog (XNUMX-XNUMX)," pp. XNUMX-XNUMX
No. 1 (April 2008)
Shohei Shimoda, "On the Production Period of the Four Volumes of Ancient Poetry Attributed to Zhang Xu," pp.1-15
Takaaki Hashimoto, "On the Transmission of the 'Jikoji Sutra'" pp.17-28
Chen Jianzhi, "On the Authenticity of Zhao Mengpushu's "Taishang Laojun's Commentary on the Jingjing Sutra of Everlasting Purity," pp.29-44
Tomoaki Kanno, "A Perspective on Modern Studies of Northern Monuments," pp.45-58
Shohei Shimoda, “Calligraphy Research” Volume 59-70 General Catalog (XNUMX-XNUMX), pp.XNUMX-XNUMX
