Within the history of Chinese calligraphy, my main research themes are calligraphy and calligraphers of the Qing Dynasty.Until now, I have mainly focused on the theory of calligraphy during the Qing Dynasty, aiming to elucidate the reality of individual calligraphy ideas and calligraphy education in the past.In recent years, I have also become interested in trends in calligraphy societies in modern China and calligraphy in modern Japan.
In my production work, I try to use a wide range of techniques such as kanji, kana, and seal engravings, but I especially aim to present works based on ancient writing materials such as gold patterns at public exhibitions (Nitten, Yomiuri Calligraphy Exhibition, Japan Shogei Institute Exhibition, etc.) doing.
