The journal has published peer-reviewed articles since issue 22 (published in March 2006).
Library holdings etc.click herePlease take a look.Some papers areTsukuba repositoryIt is published in
No. 40 (2024)
[Peer-reviewed paper]
| ・Yosuke Hamada | George Nakashima and Ben Shahn: Art as Interior Design in the "1st George Nakashima Exhibition" |
[Research notes]
| ・Rintaro Terakado | Fragments of Kikuchi Chutaro's Achievements: Focusing on the Exhibit Catalog (Variant Edition) of the Chicago World's Fair |
| ・Michiko Hayashi | Utagawa Wakana Research Supplement |
[Research Exchange Meeting]
| ・Setsuko Masahara ・Sara Kizawa ・ Sakurako Namimura (Preface by Michiko Hayashi) |
2024 Taiwan-Japan five schools art history research student workshop participation report |
[Graduation thesis excerpt]
| Tara Shimazu | A Study of Honda Kinkichirō: A Pioneer of Satirical Manga - Focusing on "Dandan Chinbun" and "Kibo Dango" |
No. 39 (2023)
[Special Lecture Record]
| ・Toshihiro Nagata | Reconsidering the petition: On the religious background of ancient Greek art |
[Research notes]
| ・Rintaro Terakado | Newly released materials: Kikuchi Gypsum Model Studio's "Hercules full-body statue" |
| ・Michiko Hayashi | About Japanese painter Wakana Utagawa - Focusing on her activities in England from 1910 to 11 - |
[Graduation thesis excerpt]
| ・Yudai Shimoyama | Research on Roy Kiyooka: Focusing on the 1970 Japan World Exposition and artistic practices at StoneDGloves |
No. 38 (2022)
[Opening paper]
| ・OSADA Toshihiro | The West Pediment of the Parthenon and the Representation of Autochthony |
[Peer-reviewed paper]
| ・Miyako Furuya | An example of the subject matter of late modern Yamato-e paintings and the Chogi Aikoshi Ichikushimizu Extraordinary Festival. |
[Research notes]
| ・TERAKADO Rintaro | Introductory Note on the Vernacular of Sixteenth Century Flemish Painting: Fall of the Rebel Angels of Frans Floris and Pieter Bruegel the Elder(Part One) |
[Graduation thesis excerpt]
| ・Otani Himeka | On the ``simplicity'' of Toyoshiro Fukuda's artistic philosophy. |
No. 37 (2021)
[Research notes]
| ・Rintaro TERAKADO | A Reappraisal Note on Léon Frederic's All Things Die, but All Will Be Resurrected through God's Love (Ohara Museum of Art, Kurashiki) |
| ・Kazufumi Takeda | Examples of medieval Georgian church decorations from the Svaneti Areas of study |
[Exhibition review]
| ・Michiko Hayashi | Drawing on Nature: Taki Katei's Japan World Museum, National Museums Liverpool / 4 October 2019 to 13 April 2020 |
[Graduation thesis excerpt]
| ・Sara Kizawa | About music painting themes at the Japan Art Institute |
No. 36 (2020)
[paper]
| ・Toshihiro Nagata | Parthenon West Gable Interpretation Essay |
[Peer-reviewed paper]
| ・Makoto Komatsu | Regarding the votive portrait and horse statue of Anthemion (Aristot. Ath. Pol. 7. 4) - A reexamination based on portraits of parents and votive items for the family in Athens from the 6th to 4th centuries BC - |
| ・Emiko Kawamura | A study on the post-war reorganization of Nitten and GHQ/SCAP |
| ・Hiromu Murai | Hercules Sehers' "Printed Paintings" and Copperplate Engraving Techniques |
[Graduation thesis excerpt]
| ・Mao Hisamitsu | Creation of Kurt Schwitters's "Early Merz Paintings": Fragmentation and combination of images in examples from 1917 to 1920 |
No. 35 (2019)
[paper]
・Toshihiro Nagata Essay on the offering scene of the Holy Cloth on the east side of the Parthenon Frieze
・Rintaro TERAKADO University Art Collection and Business-Academia Collaboration
[2019 Japan-Taiwan Five Universities Graduate Student Art History Research Exchange Meeting Participation Report]
・Emiko Kawamura (Foreword by Michiko Hayashi)
[Graduation thesis excerpt]
・Miho Tsuneko A study on Hiroshige Utagawa's reception of the Rinpa school: Focusing on "Ryakuga Korinfu Rissai Hyakuzu"
No. 34 (2018)
[Peer-reviewed paper]
・Tomoyo Nakamura "Alexander with Lightning" and the Temple of Artemis in Ephesus
-A study on portrait expression and installation location
・Miyako Furuya, A study on the bugaku folding screen, stored at Rinnoji Temple in Nikko
[Research notes]
・Toshiharu Isodono Regarding research on “Katsuhiro Yamaguchi Diary” (tentative name)
・Mayumi Yoshizaki, Katei Muto《Memories of the downtown area》 - Hideho Yamakawa and memories of Ueno and Asakusa
・Yoshiyuki Ito Nobuyuki Shimizu's diary "Synopsis" (1907-1916) Part 1
[2018 Taiwanese Five University Art History Research Students Exchange Research Discussion]
・Anna Oshiro, Miyako Furuya, Makoto Koshi (Foreword by Michiko Hayashi)
[Graduation thesis excerpt]
・Anna Oshiro About the background of the construction of the Kobo Daishi statue
―Focusing on the statue of Mannichi Daishi at Kongobuji Temple, Koyasan―
No. 33 (2017)
[Peer-reviewed paper]
・Mutsuko Hoshino Old Japanese Theater and Mosaic Mural (1933)
-Toward a re-evaluation of craftsman Umeki Itaya-
[Research notes]
・Michiko Hayashi The International Society of Sculptors Painters & Gravers and Japanese artists
- Exhibitions and networks of Japanese painters living in the UK as seen in exhibition catalogs of the 1910s
・Yoshiyuki Ito Nobuyuki Shimizu's diary "Synopsis" (1907-1916) Part 1
[2017 Taiwanese Five University Art History Research Students Exchange Research Discussion]
・Hiromu Murai, Makoto Koshi, Miyako Furuya, Chinatsu Arisu, Shisho Ryu (Foreword by Michiko Hayashi)
[Graduation thesis excerpt]
・Kanako Chiba About the background of the construction of the Kumano Hayatama Taisha statue
No. 32 (2016)
[Art Historical Society National Conference Symposium: Worship Space - Creating a Place to Confront the Transcendent]
・Toshihiro Nagata Purpose explanation
・Masahiko Moriya Representation of ritual space
- Regarding the evolution of the image of Confucius in Japan
[2016 Japan-Taiwan Five University Graduate Students Art History Research Exchange Meeting]
・Makoto Huangshi Makoto Komatsu ISAEVA Olga Miyako Furuya Sanae Terada (Foreword by Toshiharu Isodono)
[Graduation thesis excerpt]
・Miyako Furuya Production background of Sotatsu's "Bugaku Byobu"
- From the reception of bugaku-zu in the early modern period
No. 31 (2015)
[Opening paper]
・Masahiko Moriya, Tan'yu Kano's "Outdoor Musical Musical Diagram/Saruhiki Diagram" About folding screens and their Confucian themes
[Peer-reviewed paper]
・Kazumi Akama Exhibition hall of the Central Union of Decorative Arts at the 1900 Universal Exposition in Paris
- On the tradition of French decorative arts and the "modern style"
・Michiko Hayashi 1910 Japan-British Exhibition and the Home Office
- Regarding the role of ministries and agencies in the Meiji era exhibitions
[2015 Taiwanese Five University Art History Research Students Exchange Research Discussion]
・Azusa Ino, Wataru Naito, Yuri Inoue, Yuka Nemoto (Foreword by Toshiharu Isodono)
[Graduation thesis excerpt]
・Wataru Naito Reception of Song Dynasty style in Kamakura
- Focusing on the seated statue of Hatsueo at Ennoji Temple in Kanagawa
No. 30 (2014)
[Peer-reviewed paper]
・Yu Kawase ``Tomb of Harpyiae'' Relief Looted Iconography
- Views of life and death in Lycian funerary art of the 5th century BC
・Michiko Hayashi The ambiguity of the 1910 Japan-British Exhibition
-Between “official Japanese art history” and “freak show”
・Mutsuko Hoshino Ginza 5-chome Owarimachi "Lion Beer Hall" (1939) and its mural
- Based on the words of architect Yoshihiko Izushi
[Book review]
・Read Toshiharu Isodono John Clark, Modernities in Japanese Art
[Graduation thesis excerpt]
・Yuri Inoue Ministry of Commerce and Industry Crafts Guidance Center and Export Crafts
No. 29 (2013)
[Opening paper]
・Toshiharu Isodono CIE Library and the art world under occupation
[Peer-reviewed paper]
・Fumihiro Haruhara Taro Okamoto's "Today's Art" (1954) and its readers
- Freeing art from experts through art book publishing
[Report of the 2013 Japan-Taiwan three university graduate student art history research exchange meeting]
・Ayumi Tadashi, Fumika Nakajima, Minami Eguchi, Sho Takahashi, Yuki Yamamoto, Kazumi Akama, Anna Katai, Hanako Kawamoto, Kyoko Kiyoyoshi
No. 28 (2012)
[Opening paper]
・Toshihiro Nagata Parthenon Frieze
- A lavish offering
[Peer-reviewed paper]
・Motoko Inoue Early Meiji period Utagawa school and brocade created by the Ministry of Education
- Visiting the tombstone of Kuniki II
・Yuko Saito Kugensha and its magazine "Kyugen"
[Graduation thesis excerpt]
・Kazumi Akama Reconsidering Rococo Revival
- Focusing on the reappraisal of Rococo art by the Goncourt brothers and the Central Union of Decorative Arts
No. 27 (2011)
[Peer-reviewed paper]
・Yuzo Arai Basic description of Xu Wei's Scroll of Miscellaneous Flowers, Nanjing Museum Collection
・Motoko Inoue: Selection of painter for modern educational nishiki-e - Concerning ``Nishiki-e created by the Ministry of Education'' and ``Kyoso''
・Rei Nakamura On the interaction between Ono Michijo and court nobles - Focusing on calligraphy and paintings accompanied by waka poems such as "Hitomarozu"
・FROGER Lilian About the editing method of Risaku Suzuki's photo book
- Focusing on “KUMANO” and “PILES OF TIME”
・MERINO Aitana The Beauty of Black and White: the Relation of Bokubi with Abstract Painting
[Graduation thesis excerpt]
・Kyoko Motomura War art of the early XNUMXs
-Focusing on creative print magazines “Shiro to Kuro” and “Han Geijutsu”
No. 26 (2010)
[Opening paper]
・About Toshiharu Isodono “The Year Book of Japanese Art”
―Another “Japanese Art Yearbook” and foreign cultural promotion
[Peer-reviewed paper]
・Chihiro Kawase About "industrial art" in the late 1930s
- Breaking away from the "commercial art" philosophy seen in "Desegno" and "Art and Technology"
・Taku Yamada The retreat and loss of motifs in Rembrandt's ``The Sacrifice of Abraham''
[Graduation thesis excerpt]
・Masaya Doi Kiyokata Kaburagi's painting career - Through the interpretation of "Young Fish"
No. 25 (2008)
[Peer-reviewed paper]
・Tomoko Asano On the development of urban landscape paintings from the XNUMXs to the XNUMXs
- Focusing on the modern city and the changes in artists' awareness of social participation
・Shogo Otani What connects pre-war and post-war avant-garde paintings
- Using Ichiro Fukuzawa, Masao Tsuruoka, and Noboru Kitawaki as examples
・Shohei Shimoda: A study on Zhang Xu's cursive writing included in Hosho
・Fumihiro Haruhara Background and evaluation of Taro Okamoto's "Jomon pottery theory"
-A study on trends surrounding postwar Japanese art and Jomon culture
・Nikolova Tatiana About the establishment of the Seven Lucky Gods and the production of netsuke
・Rei Nakamura On the interpretation of Ono Michijo's "Reisho Onnazu"
・About the stage works of Harumi Nishizawa Experimental Studio
- Focusing on "Ballet Experimental Theater" and "The Clown Possessed by the Moon"
[Graduation thesis excerpt]
・Misa Tamura Africanness in Transition: Pre-colonial West African ivories and the 'Curious' Others
No. 24 (2007)
[Peer-reviewed paper]
・Noriko Okubo About the life-size statue of Shakagatake Unemon owned by the Sumo Museum
・Hiroshi Mizuno Paintings and poems of hawks during the Sengoku period
・Harumi Nishizawa Artist and stage
-About trends in stage art in the early XNUMXs
・Michio Sakata The Sacrificial Scene performed by those who except emperors in the Roman empire
・A study on Shohei Shimoda's ``Four Chapters of Ancient Poetry'' written by Zhang Asahi
・Fumihiro Haruhara Discourses surrounding Taro Okamoto's Tower of the Sun - its reception and evaluation, the Japan World Exposition and art, architecture, and design
・Sae Yamamoto Japanese Antique Art Exhibition at the San Francisco World's Fair (XNUMX)
-Art Exhibition and Colonies
[Graduation thesis excerpt]
・Kyo Suzuki A study on Ito Jakuchu's "Parrot"
- Possibility of interpretation as a portrait
・18 University of Tsukuba Department of Art Graduation Thesis/Master's Thesis/Doctoral Thesis Title
No. 23 (2006)
[Peer-reviewed paper]
・Noriko Kuwahara Regarding Koshiro Onchi's "Statue of Sakutaro Hagiwara, author of "Ice Island""
-Western collectors and international evaluation of original prints during the occupation period
・Yuko Saito Research on “Structure Company” – Commercial art and “Structure Company”
・Sae Yamamoto New York World's Fair and Crafts
- Cultural promotion and export promotion
・Mayumi Yoshizaki "Women" and "avant-garde" - Room XNUMX of the XNUMXth Nika Exhibition and female painters
[Research notes]
・Hiroko Sekine A short history of research on Sacro Monte in Italy
[Graduation thesis excerpt]
・Aimi Uematsu Shiseido's Modern Girl
- Fumio Yamana's image of women during the second Shiseido era
・Chisato Hayashi Utagawa Kuniyoshi and Mountain Tokyo Biography
- Thoughts on the creation of different pictures
・17 University of Tsukuba Department of Art Graduation Thesis/Master's Thesis/Doctoral Thesis Title
No. 22 (2005)
[Peer-reviewed paper]
・Tomoko Asano A study on the Ohara Museum of Art Crafts Museum
・Shogo Otani On the representation of sex and death in Japanese painters influenced by surrealism
- Using Kyu Ei, Hironobu Yazaki, and Hamao Hamada as examples
[Excerpt from doctoral dissertation]
・Hiroko Sekine Fra Bernardino Caimi's "Substitute Jerusalem"
-About the lost form of Sacro Monte in Varallo (bottom)
[Graduation thesis excerpt]
・Harumi Nishizawa Thoughts on Papa Tarahumara
-About Japanese performing arts since the 1960s
・16 University of Tsukuba Department of Art Graduation Thesis/Master's Thesis/Doctoral Thesis Title
・Daigoro Sawayanagi Library Catalog
No. 21 (2004)
・Hiroko Sekine Fra Bernardino Caimi's "Substitute Jerusalem"
-About the lost form of Sacro Monte in Varallo (Part XNUMX)
・Kanako Ito Thoughts on “One House” – Focusing on Kuniyoshi Utagawa
・Tomoko Asano About Hiroshi Endo and the magazine “Chosou”
・Rumi Kogure A Thought on Outsider Art
・Chiaki Kaneda Art and Memory - The Case of Riegl
・Arts General Table of Contents [Nos. 1-20]
・University of Tsukuba Department of Art Graduation Thesis/Master's Thesis/Doctoral Thesis Title
No. 20 (2003)
・Haruo Yagi A study on the West Wei Cave of Mujishan Grottoes
・Megumi Koshino Chagall in Nakayama Iwao
・Kayoko Sugitani About the pattern composition of Yuan Dynasty Jingdezhen kiln Qinghua porcelain
・Toshiharu Isodono <Book Review> Reading Setsuko Ozawa's "Drawings of the Atomic Bomb: Memories Depicted, Paintings Retold"
No. 19 (2002)
・About Tamaki Ito's self-portrait at Shimanarien
・Sachiko Oguma Reception of Whistler in Japan - From the Meiji period to the Taisho period -
・Ikuno Suzuki Kazimir Malevich, “The starting point of late painting.”Message hidden in concrete regression
No. 18 (2001)
・Noriko Kuwabara About Koshiro Onchi's ``Human Body Study'' series
・Fumihiro Sunohara Research on Taro Okamoto's Tower of the Sun
・Chiaki Kaneda About Kant's word "ästhetisch"
No. 17 (2000)
・Masahiko Moriya, University of Tsukuba, about the folding screen of ``The Visit to the Valley'' written by Hisanobu Kano
・Toshiharu Isodono Modernism and Mechanism (Shozen) - Zennosuke Tamamura and his surroundings -
・Research on Keiya Nagashima's ``Hajikuni Founding Picture Scroll''
No. 16 (1999)
・About Masahiko Moriya's legendary statue of Domu Makabe
・Akiko Nishikawa: Regarding the relationship between Bishamonten statues and the legend of Tamuramaro in the Tohoku Areas of study.”
・Yuko Saito Research on "Structure Company" - From the Peace Memorial Tokyo Exposition to its formation -
No. 15 (1998)
・Norio Nakayama Greek Art and Plato (5)
・Hirohiko Mikami Leonardo and the development of Western equestrian statues (XNUMX)
・Noriko Kuwahara On Koshiro Onchi's "Flying Sensuality" -Art form and mass society in the 1930s-
・Shino Sato: The hazy body and the Bengal Renaissance
- On the influence of Yokoyama Taikan and Hishida Shunso on Obonindronath Tagore (Part XNUMX)
・Nahoko Yokoshima A study on the National Treasure The Tale of Genji Emaki - from the perspective of painting waka poems
・Maho Tonouchi Discourse on the "decisive moment" - Regarding the reception of Cartier-Bresson in the postwar Japanese photography world -
No. 14 (1997)
・Mutsuko Hoshino Congress of American Artists and Yasuo Kuniyoshi
・Shino Sato The meaning of “dullness” in modern Japanese painting
・Kenjiro Okimatsu About the Fugen Enmei Bodhisattva image stored at Tsuchiura Shinryuji Temple
No. 13 (1996)
・Chiaki Kaneda Attempt to translate Kant's Critique of Judgment - Verses 1 to 22 -
・Ayako Oki "Sleeping Ariadne" - A catalog of ancient imitations for estimating the original work
・Noriko Kuwabara Koshiro Onchi as an oil painter 1914-1924
・Some thoughts on Kenjiro Okimatsu's Twelve Heavenly Mandala
・Motoko Sano About the iron-painted patterns of Kishu kiln - A study by comparing the patterns with those of Seishu kiln
No. 12 (1995)
・Norio Nakayama Greek Art and Plato (4)
・Hirohiko Mikami Leonardo and the development of Western equestrian statues (XNUMX)
・Ayako Oki The establishment and interpretation of sleeping figures in the XNUMXth century BC
・About Yasunao Kawanobe's Tokoha Art Museum collection "Letter from Urakami Gyokudo to Otsuka Kakei"
・Kyoko Masubuchi Reception of majolica ware in the Meiji period
・Michiko Hayashi About the Women's Reading Illustration at the Early Bunten Exhibition
No. 11 (1994)
・Hirohiko Mikami Leonardo's early relief "Alexander" (bottom)
・Tomoko Higano An aspect of British Art Nouveau research - Piersley and Japan -
・Koichiro Katsuki On the landscape expressions and their meanings seen in the Kankeihen Nissokanzu of the Dunhuang murals
・Shogo Otani Between surrealism and mechanism - Harue Koga, Kongo Abe, Seiji Togo
No. 10 (1993)
・Liu Meiqin Shen Zhou's secluded life and his art
・Kashima Mayu About cypress fans in the Heian period
・Ayako Oki Changes in the evaluation of “Sleeping Ariadne” in the Vatican collection
・Murata Ji Goya's thoughts on Carton
-About the carton for the tapestry decorating the bedroom and antechamber of the Crown Prince and Princess of El Pardo Palace
・Toshiharu Isodono Mechanism and Modernism: From the emerging art movement of the Taisho period to the modernism of the early Showa period (Part XNUMX)
No. 9 (1992)
・Toru Shinbo About the origin of Anrakuji main line Kitano Tenjin
・About Lee Yuanhui Liang Peng Sun's "Landscape"
・Norio Nakayama Greek Art and Plato (3)
・Masumi Soto An aspect of traditional Egyptian art - Exceptional representation of the human body in reliefs and paintings -
・Shota Kikuchi Study of Maestro de Cabestani (XNUMX)
・Shogo Otani Introduction to Italian Futurism and Modern Japanese Western Paintings - Trends before and after 1912
No. 8 (1991)
・Rintaro Terakado Jan van Eyck's "Bathsheba" or "Judith"
― The source of the expression “nude lady in the restroom” in 15th century Flemish paintings
・Mie Hayashi About the Hindu cave temple Elephanta Cave No. XNUMX
・Hideyuki Yanagisawa Shunsuke Matsumoto's "City Series" review
・Toshiharu Isodono David Burliuk and emerging art of the Taisho era (Jozen)
No. 7 (1990)
・Midori Hiraoka About “Madonna del Parto” by Piero della Francesca
・Shota Kikuchi Study of Maestro de Cabestani (Part XNUMX)
・Makoto Hasegawa Kosho Bodhisattva Eison chronology (draft)
No. 6 (1988)
・Makoto Hasegawa About the majestic design of the lotus halo
・Norio Nakayama Greek Art and Plato (2)
・Shota Kikuchi Study of Maestro de Cabestani (XNUMX)
・Toshiharu Isodono David Burliuk and the emerging art of the Taisho period
No. 5 (1987)
・Norio Nakayama Greek art and Plato
・Shota Kikuchi Study of Maestro de Cabestani (XNUMX)
・Toshiharu Isodono Emerging Art Movements of the Taisho Era and “Theater Three Departments”
No. 4 (1987)
・Shota Kikuchi Relief of the Martyrdom of Saint Saturnin in the Church of Saint-Hilaire (Aude)
・About Yasunao Kawanobe and Korin Ogata's "Autumn Grass White Plum Blossom Fan"
・Shota Kikuchi Relief of a knightly battle in Angoulême Cathedral
・Haoyao Hayashi A brief study of the standing statues of the Five Buddha statues inscribed in stone in the XNUMXst year of Wuding in the Eastern Wei Dynasty - The iconography composition of the two Buddhas and the Seated Kanzeon and the basis for its formation -
・Hideo Maeda XNUMXst generation Nakamura Randai engraved chronology (draft)
No. 3 (1985)
・Toru Shinbo Tameyo book XNUMX poems and immortal illustrations
・About Yasunao Kawanobe Nezu Museum collection “White Rakuten Folding Screen” by Korin Ogata
・Akira Masaki Gyeongju Namsan - Current situation and new knowledge
・Sakae Naito Construction progress of Toshodaiji Temple during its founding period
・Norio Nakayama Aphrodite Pandemos
・Shoji Figami Itten's theory of art and form
No. 2 (1984)
・Hirohiko Mikami Leonardo's early relief "Alexander" (top)
・Shota Kikuchi LINTEL ROLLANT D'ENEGOLESME
-Hisako Okoshi: The essence of Chagall seen in his illustrations - Through "Daphnis and Chloe"
・Makoto Hasegawa About the construction progress of Yakushiji Temple as seen in the Shoki
-Yuki Shibano Examination of ancient monuments, etc. at Shibano Kuriyama
-Hideo Maeda <References> Letters of the first Indian, Randai Nakamura
No. 1 (1983)
-Sakae Naito Examination of “Komawa Jyo San Ijiji”
・About Sadayuki Nagayama Shoan Garden in Niiharu Village, Ibaraki Prefecture
・Tomoko Okada On Ryusei Kishida's concept of "decoration" - its formation and transformation seen in the production of oil still life paintings -
・Yuko Kaga, Takashi Nakamura - His painting style is particularly concentrated in three works from his later years.
・Shota Kikuchi Aperçu historique des études sur le Guide du pelerin de Saint-Jacques
