001	●	The Two-way Street in the History of Americanand Japanese Art Education : Akira Shirahama and Arthur Wesley Dow

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Ecker (Eds.), Readings in art education (pp.1-13). Waltham, Mass.: Blaisdell. Fenollosa, E. (1913/1963). Epochs of Chinese and Japanese art (Vol.1) (rep. ed.). New York: Dover. Fenollosa, M. (1913/1963). Preface to Epochs of Chinese and Japanese Art. In E. Fenollosa, Epochs of Chinese and Japanese art (Vol.1) (rep. ed.) (pp.i-xxvi). New York: Dover. Foster, M. S. (1992). Exchanges between American and Japanese art educators: What did they learned from each other? In P. Amburgy, D. Soucy, M. Stankiewicz, B. Wilson & M. Wilson (Eds.), The history of art education: Proceedings from the second Penn State conference, 1989 (pp.104-108). Reston, VA: National Art Education Association. Froehlich, H. F., & Snow, B. E. (1904-1905). Text books of art education (Bks. I-VI). New York: Prang Educational Co. Haga, T. (1971). The formation of realism in Meiji painting: The artistic career of Takahashi Yuichi. In d. H. Shively (Ed.), Tradition and modernization in Japanese culture (pp.221-256). Princeton, N. J.: Princeton University Press. Hook, D, J. (1987). Fenollosa and Dow: The effect of an Eastern and Western dialogue on American art education. (Doctoral Dissertation, The Pennsylvania State University, 1987). Hurwitz, A. & Madeja, S. S. (1977). The joyous vision. Englewood Cliffs, N.J.: Prentice Hall. Japanese National Commission for UNESCO. (1958). The making of compulsory education in Japan. Tokyo: Ministry of Education. Kaneko, K. (1978, July). Zoku nihon no kindai bijutu kyoiku shi (9) [A history of modern Japanese art education, Part 9]. Biiku Bunka [Magazine for Art Education], 28(7), 42-45. Kurisuto ten [The exhibition of Christo]. (1991, October 28). Asahi Sinbun [Asahi Evening News]. Logan, F. M. (1955). Growth of art in American schools. New York: Happer & Brothers. Macdonald, S. (1970). The history and philosophy of art education. London: University of London Press. Maritain, J. (1954/1974). Creative intuition in art and poetry (rep. ed.). 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American influence on the history of Japanese art education: The case of Akira Shirahama. In B. Wilson & H. Hoffa (Eds.), The history of art education: Proceedings from the Penn State conference,1985 (pp. 59-66). Reston, VA: National Art Education Association. Okazaki, A. (1985b). What American art educators learned from the Japanese: A response to Carson and Dobbs. Art Education, 38(4), 6-10. Okazaki, A. (1991). European modernist art into Japanese school art: The free drawing movement in the 1920s. Journal of Art & Design Education, 10(2), 189-198. Okazaki, A. (1992). American influence on the history of Japanese art education: The case of Seishi Shimoda. In P. Amburgy, D. Soucy, M. Stankiewicz, B. Wilson & M. Wilson (Eds.), The history of art education: Proceedings from the second Penn State conference, 1989 (pp. 109-117). Reston, VA: National Art Education Association. Okazaki, A. (1994). 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J. (1966). A history of the teaching of art appreciation in the public schools. In D. Ecker (Ed.), Improving the teaching of art appreciation (pp.1-48). Columbus, OH: Ohio State University. (ERIC Reproduction Service No. 011 063). Shirahama, A. (1907). Zuga kyojyu ho [Methods in drawing instruction]. Zuga Kyoiku [Drawing Education], No. 11, 43-45. Shirahama, A. (1908). Zuga kyoiku ni tsukite [My views of drawing education]. Shinano Kyoiku [Education in Shinano district]. No. 265, 2-5. Shirahama, A. (1911). Zuga kyoju no riron to jissai [Theory and practice of drawing education]. Tokyo: Dai Nippon Tosho. Shively, D. H. (1971). The Japanization of the middle Meiji. In D. H. Shively (Ed.), Tradition and modernization in Japanese culture (pp.77-119). Princeton, N. J.: Princeton University Press. Smith, P. (1994). Multicultural issues: Dilemmas and hopes, Art Education, 47(4), 13-17. Stankiewicz, M. A. (1990). Rules and inventions: From ornament to design in art education, in D. Soucy & M. 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Yashiro, Y. (1969). Suibokuga [Ink-painting]. Tokyo: Iwanami Shoten. Young, M. W. (1969). Six principles of Chinese painting. In B. S. Meyers (Ed.), McGraw-Hill dictionary of art (Vol.5) (p. 191). New York: McGraw-Hill.
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